Choosing a studio is of course exceptionally important to the eventual success of your shoot. It is vital that whenever possible you should arrange to see the studio prior to booking. Always call the studio before your visit to check you will have access to view the studio(s).
You can tell a lot about a studio hire company by the way you are greeted and treated. Were you offered refreshment when you arrived? Does the studio have printed material and a printed rate card? Does it seems to be adequately staffed? Were the phones ringing? Did it seem like a busy studio? Do you recognise any names of photographers who currently shoot at the studios? Get into the studio as soon as possible after your arrival. There is little point in wasting time chatting with the studio manager or staff about your requirements if the studio turns out to be unsuitable.
The best time to actually see the studio will depend on whether you will be using the natural daylight afforded by the studio. It will probably be better if your visit is timed for when you expect to be shooting. This way you get to view the studio at a time when you will probably be shooting plus the studio has by now done their job in looking after the clients shooting on the day and can give you their undivided attention. Ask the studio staff about the natural light during the day. Does the studio have air conditioning? If the studio has lots of natural light it will probably get pretty hot, ask how they cope with this.
If daylight is not a consideration for your upcoming shoot then you have a wider latitude timing wise, to view. Try to get in at the start of the day. At least you will see how well the studio staff are organised plus you are less likely to be obstructed by a closed set.
So you have registered your first impressions of the studio (and staff) and hopefully it is looking good. The next step is to explore the resources the studio has to offer and the prices. Whether you are the one picking up the bill or your client, you will want to avoid any unpleasant surprises. After all, if you have decided on this studio and your client was used to shooting elsewhere, you will want to be sure there is no cause for your client to feel you made the wrong choice. Find out what is included in the studio price and what isn’t.
Regarding standard studio items and items you will need to have brought in. The question to ask the studio is what equipment do they have on the premises and which hire company do they use for hire equipment. Studios dislike hiring in equipment for a shoot which they already own. From their point of view this is lost income. However, studio hire companies with multiple studio facilities will hire their in house equipment on a fist come first serve. So if you reserve equipment prior to your shoot and then decide you no longer need it on the day you may well find you are still charged a cancellation fee for the equipment they may well have had to hire in for another shoot since you had reserved their in-house items.
To select the best DJ for your wedding is a tough job and you have to really work hard to get the best one. You have to start looking for a good DJ many months before your wedding as it requires a lot of inquiry and search. You have to choose the DJ who is interested in you. When you go to any DJ company, if they listen to your needs it means that really want to make your day memorable. They ask you several things after you put your needs before them and you can come to know that they really want to DJ your wedding in your style.
The wedding budget really matters when you have to choose the right DJ. It is a tiring work that you have to choose the best DJ as well which is within your budget. It is better to have all the expenses and fees before hiring a DJ so that there is no confusion at the last minute. The most important thing that you should keep in mind is that everything should be in writing. The DJ Company who refuses to give the contract in writing is not reliable and you should not be considered to DJ your wedding.
The right DJ would be one whom you have already seen performing at your friend’s wedding or any other relative’s wedding. You can take the help of your friends or a relative to choose the right DJ. After seeing a live performance of a DJ at a wedding party you can judge his performance and make the right decision. If you have not seen the live performance you can ask for his pre-recorded CD or video demo.
Ask for the list of music he has for your wedding. You can see his collection (often online) and can find out if it suits your desire or not. You should ask him how many people will come on the wedding day and what all equipment they will bring with them. Also, make sure that they will bring their own lighting system or you have to arrange for it because it will cost you extra money.
So, be careful to choose the right DJ for your special day.
Exotic wood interiors such as carbonized bamboo and sepili may provide an exciting new look for your home or business, but they can also affect sound quality. Before you decide to redo your sound recording studio in wood paneling or trim, stop and think about the acoustic characteristics of the material you’re considering. Every wood acts a little bit different. The change in sound quality could be detrimental to your music.
Many spaces with wood panels, floors or other elements suffer from poor acoustics. That’s because the wooden surfaces can produce a “hard” feeling, creating sound reflections where there shouldn’t be any. In other spaces, adding wood dampens sound. Each wood has its own properties, but you can generally expect dense woods like mahogany and Brazilian teak to reflect sound more than they absorb it. Woods that are lighter in weight, such as Caribbean walnut, are more likely to absorb sound.
However, you’ll have to pay attention if you want to keep your recording quality up. Take some time to think about how the room performs at the moment. Try playing music close to a few samples of your favorite wood to see how it changes the sound.
If you’re in love with the beautiful look of tropical woods, but feel like they could damage your room’s sound quality, one way to keep good interior acoustics is to use fabric or tile acoustic panels. They allow you to refinish your home or business studio in any wood you choose without worrying about significant sound changes. Other options include using drapes or ceiling tiles to absorb extra sound.
Anyone who’s hoping for a lucrative recording contract can’t afford to deal with poor recording quality. If you’re interested in redoing your home sound recording studio with exotic woods, consider the potential acoustic problems before you remodel. You don’t have to give up the beauty of high grade wood materials, but you might have to place them strategically.
The last thing you need is substandard sound quality on your next recording. Make sure that your remodel and your acoustic needs are in perfect harmony. Do a little research on the specific effects of your favorite wood. Then, choose the products and placement that’ll do the most for your room’s sound quality, without causing recording problems or sacrificing the look of the room. You might be surprised by how easy it can be.